Posts Tagged ‘whimsy’

My Cat, She Has No Weekend Plans

My cat, she has no weekend plans
Each day begins as new
It starts whenever she awakes
It ends when she is through
She rises when she hears my sounds
She has but one suggestion
Feed me now, she cries aloud
Supply me my ingestion
Incessantly she pleads her case
As if it needed pleading
The same refrain throughout the day
"I think it's time for feeding"
She's never grateful or annoyed
A flare up quickly settles
She holds no grudge or looks that judge
She bothers not to meddle
The opportunity to be
A cat within the rat race
Would make her yawn, she'd just as soon
Scratch the nearest scratch place
My cat, she has no Facebook page
She hangs with who's around her
She naps or not or wakes or walks
Wherever she has found her
I make my plans for future days
She only makes a meow
Insisting in this moment
That I feed her and be here now

Joe Wouldn’t Hoe

In my 20’s I shared a house on the east side of Detroit with three other single, semi-employed guys. We became the “The Lakepointe House.”

Ralph Bedard made loud sex, wrote poetry, and crafted flutes by hand from discarded bamboo.

Doug Ferguson (dulcimer) work-studied while finishing a degree at Wayne State University – history? Bob Cameron (guitar) drove a UPS truck as a fill-in driver and tried to keep his VW Beetle running.

I solo’ed as a folk/rock singer, guitarist at bars and coffeehouses across Michigan: Union Street Oyster Bar (Hi, Tom), The Ark (Hi, Rick), … It was the tail end of the 70’s singer-songwriter era.

In The Lakepointe House we jammed a lot. Songs from across the 60’s & 70’s folk blues spectrum, as well as our own creations. Bob penned this favorite and in our diaspora we’ve shared it to all corners of our worlds.

It is many years later and it is August – a perfect time to sing “Joe Wouldn’t Hoe.”


Joe Wouldn't Hoe
By Bob Cameron, c. 1975



Chorus:
Joe wouldn't hoe the ground around his corn
He would stay in bed all the morn
The weeds grew high, up to the sky-eee
But the corn stayed down around his knees.


He got up in the spring to plant his crops
All the while thinking that he'd rather not
This corn he said is just too much work to keep
And with that thought in mind, he promptly went to sleep
(chorus)

[thanks, Doug, for the two next verses]

He went out one bright August day
Hadn't been out there since May
The weeds were wound around the Milky Way-eeee
But the corn was down around his knees


He went to the fair when it came
Farmers there kicked him out in shame
They said "We're not gonna share the blame-eeee
For the corn staying down around your knees"
(chorus)


Folks round there, their thoughts revealed
They thought his corn was an abandoned field
They thought his farm was an auto dumping lot
And when the harvest came, he had a bumper crop... get it?
(chorus)


Now every song has a moral they say
Weed your corn or you won't make hay
Spend some time or you're gonna pay-eeee
When the corn stays down around your knees
(chorus)

My Sister’s New Garden

My sister’s new garden is nestled within hilly SW Portland. It is compact and lush.  I didn’t realize you could harbor such variety and fullness in a small space. Chalk it up to my sister’s sense of order and tidiness.

Meandering nasturtiums splay over the edge of the patio. They thrive on the concrete’s radiant heat.

A curvy flagstone path wends into the back corner, as if there were more to see just around the bend. Crocosmia has nearly finished blushing scarlet; a few sunflowers reach skyward (why aren’t the centers going black, she wants to know).

In their midst stand gayfeather (liatris spicata) and a staked tomato!

The piece de resistance anchors the back wall – two significant clumps of bamboo confined to an elegant wood planter she purchased up the coast. It is both an appreciation of things past and a recognition of bamboo’s beauty constrained by reality: you don’t want these aggressive grasses overrunning your main garden.

My sister tends her new garden with care and delight. Whimsey and prudence. Premeditation and pluck.

The first thing she installed was the incandescent string of lights vining the translucent, shed-like roof over the sitting area, which is the perfect place for enjoying the flora while reading, writing, sipping – or, finding a brother savoring Sauvie Island Blueberries with Barbados Cream. Heaven.

 

Garden Mind

Not this blue, really?

I got the White Flower Farm Spring 2012 catalog this week. It’s a page turner as usual, with saturated floral images of garden gems in perfect flower – where the reds are redder, the greens greener and the true blues truer than life. One day, there might be a garden catalog with wilted, spent flowers going to seed. Unlikely.

My garden overwinters – stark and dreary, especially without frost or snow cover. I hope it gets cold enough to kill the bad bugs; I hope there is enough snow cover, eventually, to supplement the good stuff (my brother told me snow is the poor man’s fertilizer). But, I digress. What is really at work is stillness. No growth, just the remnants of the garden being earth bound — skeletal, essential, and creating reserves for the proper blooming time.

What I have is garden mind.

Our garden (aka, “R” Garden) sits, while last year’s beauty decomposes into next year’s growth. I see the garden’s shape from our upstairs window – the straight and curvy lines, the beds, the flow from one section to another joined by lawn, paths, steps, and bridges. I like this flow and work to refine it in my mind: firm up that edge with a low border, trim that shrub to be a better neighbor, hack that pachysandra, reset those stones, et cetera. In a process of refinement, endless tweaking shapes the garden and morphs its profile. Its essential personality, established long ago, matures incrementally, bringing charm, whimsy and nature into harmony improved by age.

Of course it’s a living thing and changes occur, apparently spontaneously, as well. Like the clumping bamboo that finally, finally decided to become the screen I imagined ten years ago. Who knew it would take this long? I suppose that’s where annuals come in. They provide the instant gratification that delights the eye and other senses. Not much mystery but adornment galore and great expectations easily met. We enjoy the splash, the visual spice, and the abundance of blooms overlaying the perennial foundation.

 


The garden mind dwells on ideas and suffers no toil. No: weeding, spraying, mowing, aching backs or biting no-see-ums. It sees golden possibilities; it harbors hopes and plans — flights of fancy that could occupy the whole of next season. It’s a great place to visit.

Tin Man Garden Art

Tin Man overlooks the garden, standing near its wooded, western edge. He is flanked by two Tupelo trees and footed by woodland perennials: ferns, trillium, Lenten Rose (helleborus),

and viney ground cover (ajuga reptans). Hint: Don’t ever plant Bugleweed – ajuga. Ever.)

The Tin Man Cometh

Tin Man was created by Peter Beals, an auto body repair man from Kingston, Massachusetts. I purchased his work

at the annual North River Arts Society (NRAS) Festival of the Arts in Marshfield Hills, MA because it appealed to a grand whimsy and the price was right. Standing over 7 feet (2.1 meters) tall, Tin Man has occupied his outpost in my garden since June 2, 2006.

He debuted at the garden party celebrating Kenyatta Braithwaite’s (Weymouth, MA) academic success. I had to disrupt NRAS protocol to liberate Tin Man in advance from the Festival; accomplished with support from our friend and NRAS kingpin, David Brega, just in time for Keny’s party.  Tin Man has attended all of our backyard events ever since.

Ars Longa Vita Brevis*

Gazing across the quiet garden he is stalwart, with a look of permanence and solidity.

But his profile reveals another truth – Tin Man is shallow and insubstantial. Almost two-dimensional, like Flat Stanley.

He takes our parties seriously. He attracts attention, yes, and teasing. But teasers poke fun fondly and he’s never offended.


*Ars longa, vita brevis (Hippocrates), commonly translated as “art is long, life is short.”

Tin Man Zeitgeist

Postured, impermanent, intent, revealing and deceiving. Tin Man was one of the first non-functional additions to my garden. He has his own story and he’s sticking to it. What story does your garden have? Share it!